SIGMA 35mm F1.4 DG DN

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SIGMA 35mm F1.4 DG DN

SIGMA 35mm F1.4 DG DN

Megapixel

24.6MP

Brust Speed

18fps

Stills base ISO

100/640

Weight (Battery & card)

422gm

Crop Zoom function

No

Autofocus

Contrast

Featured

The ultimate ultra-fast wide-angle prime lens for DSLRs

This full-frame optic was the first full-frame 20mm prime ever built with an F1.4 aperture, making it one of the most desirable lenses on the market for astrophotography, weddings and interiors. Not only does the lens allow four times the amount of light on the sensor than an F2.8 lens with the same ISO and shutter speed, but the wide-aperture also creates a very shallow depth-of-field for pronounced subject separation when shooting portraits or closer-up objects.

This full-frame optic was the first full-frame 20mm prime ever built with an F1.4 aperture, making it one of the most desirable lenses on the market for astrophotography, weddings and interiors. Not only does the lens allow four times the amount of light on the sensor than an F2.8 lens with the same ISO and shutter speed, but the wide-aperture also creates a very shallow depth-of-field for pronounced subject separation when shooting portraits or closer-up objects.

Gallery

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1

Precision brass mount with seal

Weighing less than 430g each, including battery and SD card, the fp and fp L are exceptionally portable, but deliver a powerful and versatile feature-set for both stills and video.

2

Precision brass mount with seal

Weighing less than 430g each, including battery and SD card, the fp and fp L are exceptionally portable, but deliver a powerful and versatile feature-set for both stills and video.

3

Precision brass mount with seal

Weighing less than 430g each, including battery and SD card, the fp and fp L are exceptionally portable, but deliver a powerful and versatile feature-set for both stills and video.

4

Precision brass mount with seal

Weighing less than 430g each, including battery and SD card, the fp and fp L are exceptionally portable, but deliver a powerful and versatile feature-set for both stills and video.

5

Precision brass mount with seal

Weighing less than 430g each, including battery and SD card, the fp and fp L are exceptionally portable, but deliver a powerful and versatile feature-set for both stills and video.

6

Precision brass mount with seal

Weighing less than 430g each, including battery and SD card, the fp and fp L are exceptionally portable, but deliver a powerful and versatile feature-set for both stills and video.

Tech Specs

Specifications in detail

Supplied Accessories

FRONT CAP LCF-67mm Ⅲ

Barcode No.
00-85126-92947-3

REAR CAP LCR Ⅱ

* The image is for SIGMA.

  • L-Mount

    00-85126-93725-6

    Sony E-mount

    00-85126-92987-9

LENS HOOD LH878-03

Barcode No.
00-85126-93926-7

Separately Sold Accessories

WR CERAMIC PROTECTOR 67mm

With many applications in aerospace and other industries, glass ceramics is an extremely tough type of crystallized glass that serves as the foundation for Clear Glass Ceramics. While featuring the high transmittance required of optical devices, this advanced new material combines greater hardness than chemically strengthened glass and greater flexibility than sapphire crystal glass. These qualities make Clear Glass Ceramics the ideal material for protective lens filters.

* Thinner frame wide type.

Barcode No.
00-85126-93180-3

WR PROTECTOR 67mm

Water-repellent, Antistatic type. Protector is developed to protect the lens surface from dirt and dust as well as scratches. It is an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode No.
00-85126-93094-3

PROTECTOR 67mm

Normal type. Protector is developed to protect the lens surface from dirt and dust as well as scratches. It is an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode No.
00-85126-93107-0

WR UV FILTER 67mm

UV Water-repellent, Antistatic type. UV filter prevents the bluish tone that generates when the weather is fine, by absorbing ultraviolet rays. It is effective in most situations, such as landscape, portrait and general photography on a sunny day. It is also an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode No.
00-85126-93068-4

WR CIRCULAR PL FILTER 67mm

PL Water-repellent, Antistatic type. Circular PL filter removes the reflection of water surface and glass windows, and increases the contrast in landscape photography.

* Thinner frame wide type.

Barcode No.
00-85126-93081-3

USB DOCK UD-11

View Specifications
  • L-Mount

    00-85126-87869-6

For Support Kindly call us or eMail us

Email: saleschennai@shetalacamera.com
Tel: +91 44 -42125148/58/68
Mobile: +91 98005 98005

Diffraction MTF

Geometrical MTF

 

 

Lens Construction

  • SLD glass
  • FLD glass
  • ELD glass
  • ASPHERICAL LENS

Lens Construction

15 elements in 11 groups

Angle of View

  • 63.4°

Number of Diaphragm Blades

11 (Rounded diaphragm)

Minimum Aperture

F16

Minimum Focusing Distance

30cm / 11.8in.

Maximum Magnification Ratio

1:5.4

Filter size

φ67mm

Dimensions (Diameter × Length)

  • L-Mount
    φ75.5mm × 109.5mm / φ3.0in. x 4.3in.
  • Sony E-Mount
    φ75.5mm × 111.5mm / φ3.0in. x 4.4in.
  • *The length of a lens is measured from the filter surface to its mount.

Weight

  • L-Mount
    645g / 22.8oz.
  • Sony E-Mount
    640g / 22.6oz.

Edition Number

A021

Supplied Accessories

Petal type Lens hood with lock (LH728-01), case included.

Corresponding AF Mounts / Barcode No.

  • L-Mount
    00-85126-30369-3
  • Sony E-Mount
    00-85126-30365-5

Exceptional optical performance

Central to the design of the 35mm F1.4 DG DN | Art is its sophisticated optical performance, which is consistent with the development of all Art line lenses. The lens incorporates 15 elements in 11 groups. With two Special Low Dispersion (SLD) elements, an Extraordinary Low Dispersion (ELD) element, an ‘F’ Low Dispersion (FLD) element and two aspherical elements, and as well as other high-performance glass, the lens’ advanced optical construction utilizes SIGMA’s state-of-the-art optical design technology, minimizing all types of aberration including axial chromatic aberration, which cannot be corrected in-camera.
In spite of having a very wide aperture of F1.4, the lens is able to control sagittal coma flare extremely well even wide open, stopping bright points of light from flaring out near the edges of the frame. This will be particularly appealing to night sky photographers.
Owing to its 11 rounded diaphragm blades, the lens displays smooth, round bokeh so that out-of-focus areas are not distracting. This makes the 35mm F1.4 DG DN | Art well-suited to portraits, supported by its ultra-sharp image quality and minimal color bleeding. It also performs very well in backlit conditions thanks to SIGMA’s anti-ghosting and anti-flare technology that it has cultivated through countless simulations and real-life testing in our many years of lens development. This keeps shots high contrast and free of excessive flare even when working in difficult light.

35mm F1.4 DG DN | Art Lens Construction
  • SLD glass
  • FLD glass
  • ELD glass
  • ASPHERICAL LENS

Fast and quiet AF in a compact body

The focusing mechanism in the SIGMA 35mm F1.4 DG DN | Art features a stepping motor. This motor controls a focusing lens group composed of a single, lightweight element, which means AF is responsive and quiet, and is able to keep track of moving objects very effectively. Manual focusing is smooth and precise, but with the right amount of resistance for filmmakers. Certainly, this lens has a focus mode switch on the body.
The SIGMA 35mm F1.4 DG DN | Art wholly embraces the Art line concept, which is “designed with a focus on sophisticated optical performance”. This—paired with its advanced autofocus performance and the convenience of a compact size—makes for a lens that raises the standards.

Professional feature-set

On the body of the SIGMA 35mm F1.4 DG DN | Art is an aperture ring that allows aperture to be controlled via the lens, or when set to Auto, using the camera. An aperture lock switch on the lens body allows the aperture ring to be locked in Auto so that it is not accidentally knocked during shooting. A big plus for filmmakers, the aperture ring can be de-clicked, allowing users to seamlessly adjust exposure. Also on the lens barrel is a focus mode switch and an AFL button, which can be customized to a desired function from within the camera menu (depending on the model). The switch is ergonomically positioned to be controlled by the thumb during use.
A petal type lens hood is included in the box, which helps reduce flare and offers the lens added protection if dropped. The hood has a lock mechanism that keeps it attached securely to the lens, and its rubberized grip makes it quick and easy to attach and remove.
On top of this impressive array of features and elegant exterior, the body of the 35mm F1.4 DG DN | Art offers an exceptional level of durability that helps it withstand long-term professional use as well as individual operating parts that give a good fit to the hand. The dust and splash resistant structure* provides sealing on buttons and along joins between constituent parts, and there is a rubber gasket around the mount. There is also a water and oil repellent coating applied to the front element ensures that photographers can rely on it in any conditions.

*Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.

1Aperture ring lock switch*1
2Aperture ring click switch
3Focus Mode Switch
4AFL button*2
5Dust and Splash Resistant Structure*3

*1 When turned ON at the position A, the aperture ring is locked at A. When turned ON at a position other than A, it is locked within the range between the maximum to minimum apertures and will not engage at the position A.
*2 Function available on supported cameras only. Available corrections may vary depending on the camera model.
*3 Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.

Description

The existing 35mm F1.4 DG HSM | Art was SIGMA’s first GLOBAL VISION lens. Released in 2012, it set the standard for all of SIGMA’s subsequent Art-line lenses, and thanks to its exceptional image quality it is still the 35mm prime lens of choice for many professional photographers. Nine years on, the 35mm F1.4 has been redesigned from the ground up specifically for mirrorless cameras, and is the culmination of much of the optical design expertise and advanced production techniques gained over the past decade of GLOBAL VISION lens development. As with all of SIGMA’s lenses, the 35mm F1.4 DG DN | Art is built entirely at its sole factory in Aizu in Japan, where the standard of craftsmanship is of the highest level.

As is true with all SIGMA lenses, class-leading optics are right at the heart of the design concept of this new 35mm F1.4 DG DN | Art. Despite being significantly smaller and lighter than the existing 35mm F1.4, it displays an outstanding level of sharpness right to the edges of the frame at all apertures, as well as exceptionally smooth and attractive bokeh and remarkably well-controlled optical aberrations.

Designed exclusively for use with mirrorless cameras, the 35mm F1.4 DG DN | Art is light enough to feel perfectly balanced on a compact mirrorless camera, yet is packed with an array of professional features including ultra-fast AF, a de-clickable and lockable aperture ring and a customizable AFL button. This gives the lens operability and portability without compromise, making it as ideal for professional projects as it is for casual outings, and as well-suited to video as it is stills.

SIGMA is delighted to introduce you to the new gold standard in wide-aperture 35mm primes.

 

Additional information

MOUNT

L MOUNT, SONY E

Made in Aizu

All Sigma cameras and lenses are designed, manufactured and assembled at our sole factory at Aizu in Japan. This domestic production model is unusual in today’s industry, with most imaging companies opting to outsource to other countries to reduce costs. But SIGMA believes that keeping virtually all manufacturing, processing and assembly in Aizu is essential for creating innovative, carefully thought-out and impeccably constructed products that meet the high standards demanded by professional photographers and film-makers around the world.

Sigma chose Aizu as its main production base in the early 1970s. Situated at the base of Mount Bandai in the Fukushima Prefecture, about four hours’ drive north of Tokyo, Aizu has an

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