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Lenses

Our lenses are organized into three distinct lines to clarify the intent and concept behind their design.These categories guide photographers in choosing the right lens without restricting their vision.

Three product lines

ContemporarY
16-300mm F3.5-6.7
DC OS

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Popular categories

ZoomS

Versatile and expressive: Sigma’s zoom lenses combine optical performance with the freedom to adapt to each moment.

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primes

Fixed focal length, infinite potential. Sigma’s prime lenses offer ultimate image quality, optical performance and brightness for limitless creativity.

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Featured products

Contemporary

16-300mm F3.5-6.7 DC OS

Sports

300-600mm F4 DG OS

ART

28-105mm F2.8 DG DN

Discontinued Models

Explore our catalog of previous models.

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All categories

Product line
Format
- APS-C
- DG (Designed for full-frame cameras)
- DG DN (Designed for full-frame mirrorless cameras)
- DSLR
- Full Frame (FF)
- Full-Frame
- Large-Format
- Mirrorless
- Super 35
Mount
- (A) F/CANON
- (A) F/SE
- (A) F/SONY E
- (C) F/CANON
- (C) F/Canon RF Mount
- (C) F/RF MOUNT
- (C) F/SE
- (C) F/X MOUNT
- Canon EF
- Canon ef-m
- Canon EF-M Mount
- Canon RF
- Canon RF Mount
- F L-MOUNT
- Fujifilm x
- FUJIFILM X Mount
- L-Mount
- L-Mount (unverified)
- L/CANON M/MFT
- Leica L
- MICRO FOUR THIRDS
- Nikon F
- Nikon z
- Nikon Z Mount
- Pentax
- PL
- PL (Cooke /i + ZEISS eXtended Data compatible)
- Sigma SA
- sony A
- SONY E
- Sony E (based on Aizu Prime Line compatibility)
- SONY E MOUNT
- Sony E-mount
- Sony E-mount (assumed based on similar APS-C lenses like 50mm F2 DG
Sensor Size
- 112-320mm on Canon APS-C)
- 112-320mm on L-Mount APS-C)
- 240-960mm on L-Mount APS-C)
- 27.2mm on L-Mount APS-C)
- 800mm on Canon APS-C)
- 800mm on L-Mount APS-C)
- 96-960mm on Canon APS-C)
- 96-960mm on L-Mount APS-C)
- APS-C
- APS-C (24-450mm equivalent; 25.6-480mm for Canon RF Mount)
- APS-C (24mm equivalent on Sony E
- APS-C (27-52.5mm equivalent focal length on 35mm format)
- APS-C (27-75mm full-frame equivalent)
- APS-C (45mm equivalent focal length on 35mm format)
- APS-C (75-150mm equivalent focal length on 35mm format)
- APS-C (equivalent to ~135mm full-frame)
- APS-C (equivalent to 15-27mm full-frame)
- APS-C (Micro Four Thirds: equivalent to 112mm; other mounts: equivalent to 84mm)
- APS-C (Micro Four Thirds: equivalent to 60mm; other mounts: equivalent to 45mm)
- Canon EF-M
- compatible with APS-C (105-300mm equivalent on Nikon DX
- compatible with APS-C (105-300mm equivalent on Sony APS-C
- compatible with APS-C (127.5mm equivalent focal length)
- compatible with APS-C (136mm equivalent focal length)
- compatible with APS-C (157.5mm equivalent focal length)
- compatible with APS-C (168mm equivalent focal length)
- compatible with APS-C (21-36mm equivalent focal length)
- compatible with APS-C (216mm equivalent focal length)
- compatible with APS-C (21mm equivalent focal length)
- compatible with APS-C (22.5mm equivalent focal length)
- compatible with APS-C (225-900mm equivalent on Sony APS-C
- compatible with APS-C (25.5mm equivalent on Sony E APS-C
- compatible with APS-C (30mm equivalent focal length)
- compatible with APS-C (36-105mm equivalent focal length)
- compatible with APS-C (36mm equivalent focal length)
- compatible with APS-C (42-157.5mm equivalent focal length)
- compatible with APS-C (42-67.5mm equivalent focal length)
- compatible with APS-C (450-900mm equivalent)
- compatible with APS-C (52.5mm equivalent focal length)
- compatible with APS-C (750mm equivalent on Nikon DX
- compatible with APS-C (750mm equivalent on Sony APS-C
- compatible with APS-C (75mm equivalent focal length)
- compatible with APS-C (90-900mm equivalent on Nikon DX
- compatible with APS-C (90-900mm equivalent on Sony APS-C
- e.g.
- Fujifilm X
- FUJIFILM X Mount)
- Full Frame
- Full Frame (150-600mm equivalent on APS-C
- Full Frame (225-900mm on APS-C)
- Full Frame (42-105mm equivalent on APS-C)
- Full Frame (equivalent to 24-42mm on APS-C)
- Full-Frame (35mm)
- Full-Frame (43.3mm diagonal)
- Large-Format
- Micro Four Thirds
- Micro Four Thirds (32mm equivalent)
- Nikon Z; 25.6mm on L-Mount APS-C)
- Super 35
- Super 35 (28.4mm diagonal)
Lens Type
- Diagonal Fisheye
- Prime
- Prime (Fixed Focal Length)
- Prime (High-Speed Cine Prime)
- Prime (Ultra-Telephoto)
- Prime (Ultra-Wide-Angle)
- Prime (Wide-Angle)
- Primes
- Zoom
- Zoom (Cine)
- Zoom (Hyper-Telephoto)
- Zoom (Standard Zoom)
- Zoom (Telephoto Zoom)
- Zoom (Telephoto)
Angle of View
- 103.7°
- 107.0° - 75.4°
- 109.7° - 76.5° (Sony E-mount)
- 114.2°
- 114.2° - 84.1°
- 114.2° (on full-frame cameras)
- 16.4° - 4.1°
- 18.2°
- 180° (diagonal)
- 23.3°
- 24.4° - 6.2°
- 27.0°
- 28.6°
- 34.3°
- 34.3°-12.3°
- 36.8°
- 39.6°-4.1°
- 46.8°
- 5°
- 50.7°
- 50.7° (Sony E-mount
- 51.3°
- 56.8°
- 63.4°
- 73.4° (Wide) - 30.0° (Telephoto)
- 73.7° (Full-Frame
- 75.4° - 34.3°
- 76.5° - 44.2°
- 79.9° (Micro Four Thirds)
- 83.2° (Sony E
- 84.1°
- 84.1° - 34.3°
- 84.1° - 63.4°
- 94.5
- APS-C); 39.6° (Micro Four Thirds)
- Canon EF-M
- Canon EF-M Mount: 26.9°
- Canon RF Mount: 21.9°
- equivalent to full-frame 24mm lens)
- estimated based on 25mm focal length)
- Fisheye
- Fujifilm X
- FUJIFILM X Mount: 28.5°
- Full Frame: ~42.6°
- Full Frame: 48.5°
- Full Frame: 54.4°
- Full Frame: 58.7°
- Full Frame: 67.4°
- L-Mount: 28.5°
- L-Mount: 28.5°; Sony E-mount: 28.5°; FUJIFILM X Mount: 28.5°; Canon RF Mount: 21.9°; Nikon Z Mount: 28.5°; Canon EF-M Mount: 26.9°; Micro Four Thirds: 26.9°
- LF Open Gate: ~43.4°
- LF Open Gate: 49.3°
- LF Open Gate: 55.3°
- LF Open Gate: 59.7°
- LF Open Gate: 68.4°
- Macro
- Micro Four Thirds: 26.9°
- NA
- Nikon Z APS-C)
- Nikon Z Mount: 28.5°
- Not specified (but approximately 84.1° for APS-C
- Sony E-mount: 28.5°
- Standard
- Super 35: ~30.5° (estimated based on focal length trends; not specified for 50mm)
- Super 35: 34.6°
- Super 35: 39.2°
- Super 35: 42.5°
- Super 35: 49.5°
- Super 35: 68.7° to 38.7°; APS-C: 66.7° to 37.4°
- Telephoto
- Wide

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Cine lenses

Cameras

true all-round lenses

Featuring the very latest technology, and combining optical performance with compactness, our high-performance Contemporary line covers a wide range of needs

Incorporating the very latest technology in these lenses, Sigma has solved the difficult problem of keeping size and weight low without compromising on advanced optical performance or utility. High-performance, versatile, compact and superbly portable, the lenses in our Contemporary line can handle landscape shots on your travels, casual snapshots, family pictures, and all sorts of other photo opportunities.

Explore line

THE ART OF ENGINEERING. ENGINEERING FOR ART.: Sigma’s comprehensive development of cameras, lenses and accessories helps photographers to realise the photographic and visual expression they envision.

Cameras: By examining and shaping the essence of photography, we are constantly launching unique and unprecedented cameras.

Still lenses: Based on three concepts, we propose still lenses that expand the possibilities of photographic and video expression.; Art
An artistic line for expressionists, aiming for the highest optical performance and rich descriptive power without compromise.; Contemporary
High-performance line that combines high optical performance and compactness for a wide range of situations.; Sports
Sporty line with uncompromising optical performance and functions to meet even more demanding conditions.

Cine lenses: A lens dedicated to film production, created with all the technology and know-how Sigma has accumulated in the development of still lenses.

Accessories: A wide range of accessories to enhance the functionality and convenience of your photographic equipment, such as lens filters and mount converters.

high-performance lenses for dynamic shooting

Offering sophisticated optical performance and expressive capabilities our Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want.

With their high-level optical performance and expressive power, these lenses can capture fast-moving subjects, even at distance. This high-performance line also offers a variety of functions to aid the photographer in challenging conditions and scenarios. Besides sports photography, the lenses are also perfect for nature shots featuring birds, wild animals and other creatures, and for capture of aircraft, trains, race cars and more. Another major feature of our Sports line lenses is their wide range of customization functions: using the software provided, all sorts of settings can be tailored to the personal preferences of the photographer.

Explore line

THE ART OF ENGINEERING. ENGINEERING FOR ART.: Sigma’s comprehensive development of cameras, lenses and accessories helps photographers to realise the photographic and visual expression they envision.

Cameras: By examining and shaping the essence of photography, we are constantly launching unique and unprecedented cameras.

Still lenses: Based on three concepts, we propose still lenses that expand the possibilities of photographic and video expression.; Art
An artistic line for expressionists, aiming for the highest optical performance and rich descriptive power without compromise.; Contemporary
High-performance line that combines high optical performance and compactness for a wide range of situations.; Sports
Sporty line with uncompromising optical performance and functions to meet even more demanding conditions.

Cine lenses: A lens dedicated to film production, created with all the technology and know-how Sigma has accumulated in the development of still lenses.

Accessories: A wide range of accessories to enhance the functionality and convenience of your photographic equipment, such as lens filters and mount converters.

lenses for the artist in you

Designed with a focus on sophisticated optical performance and tremendous expressive power, our Art line delivers high-level artistic quality. With unsurpassed expressive performance, these lenses reach the high standards demanded by photographers with an artistic, creative inclination. Developed with the maximum emphasis on artistic touch, our Art line lenses are designed to meet the expectations of users who value a creative, dramatic outcome above compactness and multifunction. Along with landscapes, portraits, still-life, close-up and casual snaps, they’re perfect for the kind of photography that unleashes the inner artist. Ideal for studio photography, they offer just as much expressive scope when capturing architecture, starry skies, underwater shots and many other scenes.

Explore line

THE ART OF ENGINEERING. ENGINEERING FOR ART.: Sigma’s comprehensive development of cameras, lenses and accessories helps photographers to realise the photographic and visual expression they envision.

Cameras: By examining and shaping the essence of photography, we are constantly launching unique and unprecedented cameras.

Still lenses: Based on three concepts, we propose still lenses that expand the possibilities of photographic and video expression.; Art
An artistic line for expressionists, aiming for the highest optical performance and rich descriptive power without compromise.; Contemporary
High-performance line that combines high optical performance and compactness for a wide range of situations.; Sports
Sporty line with uncompromising optical performance and functions to meet even more demanding conditions.

Cine lenses: A lens dedicated to film production, created with all the technology and know-how Sigma has accumulated in the development of still lenses.

Accessories: A wide range of accessories to enhance the functionality and convenience of your photographic equipment, such as lens filters and mount converters.

Lenses

Three product lines

ContemporarY 16-300mm F3.5-6.7 DC OS

Popular categories

Featured products

Discontinued Models

All categories

Explore more

ContemporarY
16-300mm F3.5-6.7
DC OS