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Lenses for wildlife

The kitbag staple for most wildlife photographers is a long telephoto prime or zoom with at least 400mm reach. This is because most wildlife subjects are difficult to get very close to, which means working from some distance away. Depending on the type of wildlife, the budget available and the weight of the lens the photographer is prepared to carry, there is a range of different options available in the Sigma range. On APS-C cameras, a crop factor applies, which gives users around 1.5x extra effective reach.

In some situations, such a photographing in a zoo, or if working with very tame animals, it may be possible to use shorter focal lengths. These have the advantage of being smaller and lighter, and they usually have faster maximum apertures.

Long telephoto lenses

Anyone getting started in wildlife photography is likely to get the best results from a long telephoto lens, which will allow them to fill the frame with a relatively distant subject. Most such lenses are zooms, which tend to be much more affordable as well as more versatile.

All of the long telephoto zooms in the Sigma line-up have very fast AF that is compatible with the latest subject tracking technology, and image quality is exceptional for maximum detail capture. Fully zoomed in, they have a maximum aperture of F6.3 for fast shutter speeds and blurry backgrounds, and all have an Optical Stabilizer for keeping the lens still when working hand-held low light.

SIGMA 150-600mm F5-6.3 DG DN OS | Sports

SIGMA 150-600mm F5-6.3 DG DN OS | Sports

Three ultra-telephoto wildlife lenses to consider

SIGMA 50mm F1.2 DG DN

Unveiling another SIGMA Art line F1.2 lens. Elevating photographic mastery beyond conventional limits. Highest descriptive power to take advantage of...

SIGMA 24-70mm F2.8 DG DN II

A classic, evolved. Rendering performance worthy of the flagship name Improved portability and expanded feature set A wealth of professional...

50mm F1.4 DG DN | Art

The highest level of expressive performance, high-speed AF, and compactness―all combined in perfection. The new standard for “Art F1.4” large-aperture...

Standard lenses

Wide-angle lenses are the most commonly used types of lenses for landscape photography. More specifically, ultra-wide-angle optics, with focal lengths ranging from around 12mm to 20mm, tend to be the most popular. Shooting in this way tends to exaggerate foreground objects, so a strong foreground element in a scene tends to favour wider-angle optics.

SIGMA 20mm F2 DG DN | Contemporary

SIGMA 20mm F2 DG DN | Contemporary

Three standard lenses to consider

SIGMA 50mm F1.2 DG DN

Unveiling another SIGMA Art line F1.2 lens. Elevating photographic mastery beyond conventional limits. Highest descriptive power to take advantage of...

SIGMA 24-70mm F2.8 DG DN II

A classic, evolved. Rendering performance worthy of the flagship name Improved portability and expanded feature set A wealth of professional...

50mm F1.4 DG DN | Art

The highest level of expressive performance, high-speed AF, and compactness―all combined in perfection. The new standard for “Art F1.4” large-aperture...

Long telephoto lenses

The longer the focal length, the closer together objects at differing distances appear to be, a phenomenon often termed a ‘compressed perspective’. An advantage of shooting in this way is that it places greater visual importance on background elements, which can suit a certain type of scene. Longer lenses also allow photographers to pick out very small vignettes within the landscape.

SIGMA 20mm F2 DG DN | Contemporary

SIGMA 20mm F2 DG DN | Contemporary

Three telephoto lenses to consider

SIGMA 50mm F1.2 DG DN

Unveiling another SIGMA Art line F1.2 lens. Elevating photographic mastery beyond conventional limits. Highest descriptive power to take advantage of...

SIGMA 24-70mm F2.8 DG DN II

A classic, evolved. Rendering performance worthy of the flagship name Improved portability and expanded feature set A wealth of professional...

50mm F1.4 DG DN | Art

The highest level of expressive performance, high-speed AF, and compactness―all combined in perfection. The new standard for “Art F1.4” large-aperture...

WATCH

Behind the Lens

Go behind the lens with British landscape legends Colin Prior and Joe Cornish as they explore the wild scenery of the Scottish Highlands. On film together for the first time, Colin and Joe discuss their approach to wide-angle and telephoto landscapes, what lenses they like to use, and what they think of each others’ work. If you have a love of landscape photography, this three part series is a must-watch!

 

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